He has written Paryaywachi, Bholavan and short stories collections including Panidar, Sukant Ke Sapno Mein, Jaliyan Aur Jharokhe, Tran, Dhadand and Celebration. His collection of Rajasthani poems, Utrayo Hai Abho received the Sahitya Akademi Award.
He has also translated H G Wells Time Machine in Hindi.
He has been awarded by Sahitya Akademi, Delhi for his poetry "Utaryo Hai Abho" in 1997. He has also been awarded with Ganeshilal Vyas Ustad Padhya Puraskar, Dr. L P Tessitory Gadhya Puruskar and Suryamal Misan Sikhar Puraskar. He has been awarded by the Ramniwa Asharani Lakhotiya Trust the 15th Lakhotia Award.
Shri Malchand Tiwari has been practicing yoga since 1978. Since 1991, he has also been teaching Indian mythology and yoga scriptures. In the year 2007, YogaLife Foundation has awarded him grandfathering. Since 2000, he is also an Academic Director in YogaLife Foundation.
This composition is a reminder that the author, Adi Shankaracharya, who is often regarded as a stalwart advocate of the Jnana Marga (Jnana Yoga) or the "Path of Knowledge" to attain Mukti, yielded to none in appreciating, indeed enjoining the Bhakti Marga (Bhakti Yoga) or the "Path of Faith/Devotion" to the same goal, and as C. Rajagopalachari put in his commentary, "When intelligence (jnana) matures and lodges securely in the heart, it becomes wisdom (vignyana). When that wisdom (vignyana) is integrated with life and issues out in action, it becomes devotion (bhakti). Knowledge (jnana) which has become mature is spoken of as devotion (bhakti). If it does not get transformed into devotion (bhakti), such knowledge (jnana) is useless tinsel."
In this prayer, Adi Shankaracharya emphasizes the importance of devotion for God as a means to spiritual development and to liberation from the cycle of birth and death. The prayer leaves one in no doubt that the renunciation of our egotistical differences and surrender to God makes for salvation. Many scholars hold that this composition encapsulates with both brevity and simplicity the substance of all Vedantic thought found in whatever other works that Adi Shankaracharya wrote:
The refrain "Bhaja Govindam" which defines the composition and gives it its name invokes the almighty in the aspect of Vishnu; it is therefore very popular not only with Sri Adi Shankaracharya's immediate followers, the Smarthas, but also with Vaishnavas and others.
There is a story attached to the composition of this Hymn. It is said that Shri Adi Shankaracharya, accompanied by his disciples, was walking along a street in Varanasi one day when he came across an aged scholar reciting the rules of Sanskrit grammar repeatedly on the street. Taking pity on him, Adi Shankara went up to the scholar and advised him not to waste his time on grammar at his age but to turn his mind to God in worship and adoration, which would only save him from this vicious cycle of life and death. The hymn "Bhaja Govindam" is said to have been composed on this occasion.
The composition consists of thirty-three verses. Besides the refrain of the song beginning with the words "Bhaja Govindam", Shankaracharya is said to have sung twelve other verses. Hence, the hymn bears the title "Dvadasamanjarika-Stotra" (A hymn which is a bunch of twelve verse-blossoms). The fourteen disciples who were with the Master on that occasion are believed to have added one verse each. These fourteen verses are together called "Chaturdasa-manjarika-Stotra" (a hymn consisting of fourteen verse-blossoms).
The rendition of this hymn by M. S. Subbulakshmi is very popular.