Originally the pictures were hand painted on glass slides. Initially figures were rendered with black paint but soon transparent colors were also used. Sometimes the painting was done on oiled paper. Usually black paint was used as a background to block superfluous light, so the figures could be projected without distracting borders or frames. Many slides were finished with a layer of transparent lacquer, but in a later period cover glasses were also used to protect the painted layer. Most hand-made slides were mounted in wood frames with a round or square opening for the picture.
After 1820 the manufacturing of hand colored printed slides started, often making use of decalcomania transfers. Many manufactured slides were produced on strips of glass with several pictures on them and rimmed with a strip of glued paper.
The first photographic lantern slides, called "Hyalotypes", were invented by the German-born brothers Ernst Wilhelm (William) and Friedrich (Frederick) Langenheim in 1848 in Philadelphia and patented in 1850.
John Arthur Roebuck Rudge built a lantern for William Friese-Greene with a mechanism to project a sequence of seven photographic slides. It was reportedly made in 1872, but also 1875 and a more likely date of 1882 have been given. The surviving slides show a man removing his head with his hands and raising the loose head. The photographed body belonged to Rudge and Friese-Greene posed for the head. The slides probably provided the very first trick photography sequence projection. Friese-Greene's demonstrated the machine in his shop, until the police ordered him to remove it when it attracted too large a crowd.
Matthew 27:56, Mark 15:40, John 19:25
It is at the time of the crucifixion and resurrection that Mary Magdalene comes to the fore in the gospels. Uniquely among the followers of Jesus, she is specified by name (though not consistently by any one gospel) as a witness to three key events: Jesus' crucifixion, his burial, and the discovery that his tomb was empty. Mark 15:40, Matthew 27:56 and John 19:25 mention Mary Magdalene as a witness to crucifixion, along with various other women. Luke does not name any witnesses, but mentions "women who had followed him from Galilee" standing at a distance.[Lk. 23:49]
Gospel of Philip, dating from the 2nd or 3rd century, survives in part among the texts found in Nag Hammadi in 1945. In a manner very similar to John 19:2526, the Gospel of Philip presents Mary Magdalene among Jesus' female entourage, adding that she was his koinnos, a Greek word variously translated in contemporary versions as partner, associate, comrade, companion.
There were three who always walked with the Lord: Mary, his mother, and her sister, and Magdalene, who was called his companion. His sister, his mother and his companion were each a Mary.
Others' irritation from the love and affection presented by Jesus to Mary Magdalene is claimed in the apocryphal Gospel of Philip. The text is badly fragmented, and speculated but unreliable additions are shown in brackets:
And the companion of the saviour was Mary Magdalene. Christ loved Mary more than all the disciples, and used to kiss her often. The rest of the disciples were offended by it and expressed disapproval. They said to him, "Why do you love her more than all of us?" The Saviour answered and said to them, "Why do I not love you like her?"