Posts filled under #summervacation

An extract on #summervacation

For the centenary of the VFL/AFL in 1996, the Australian Football Hall of Fame was established. In that year 136 identities were inducted, including 100 players, 10 coaches, 10 umpires, 10 administrators and six media representatives. The elite Legend status was bestowed on 12 members of the Hall of Fame in 1996: Ron Barassi, Haydn Bunton Sr., Roy Cazaly, John Coleman, Jack Dyer, Polly Farmer, Leigh Matthews, John Nicholls, Bob Pratt, Dick Reynolds, Bob Skilton and Ted Whitten. The Legend status is the highest honour which can be bestowed on an Australian footballer. The following fourteen members have been promoted to the status of "Legend" since 1996: Ian Stewart (1997), Gordon Coventry (1998), Peter Hudson (1999), Kevin Bartlett (2000), Barrie Robran (2001), Bill Hutchison (2003), Jock McHale (2005), Darrel Baldock (2006), Norm Smith (2007), Alex Jesaulenko (2008), Kevin Murray (2010), Barry Cable (2012), Tony Lockett (2015) and Malcolm Blight (2017).

In the Byzantine Rite of the Eastern Orthodox Church and the Eastern Catholic Churches, the music performed in the liturgies is exclusively sung without instrumental accompaniment. Bishop Kallistos Ware says, "The service is sung, even though there may be no choir... In the Orthodox Church today, as in the early Church, singing is unaccompanied and instrumental music is not found." This a cappella behavior arises from strict interpretation of Psalms 150, which states, Let every thing that hath breath praise the Lord. Praise ye the Lord. In keeping with this philosophy, early Russian musika which started appearing in the late 17th century, in what was known as khorovye kontsert (choral concertos) made a cappella adaptations of Venetian-styled pieces, such as the treatise, Grammatika musikiyskaya (1675), by Nikolai Diletsky. Divine Liturgies and Western Rite masses composed by famous composers such as Peter Tchaikovsky, Sergei Rachmaninoff, Alexander Arkhangelsky, and Mykola Leontovych are fine examples of this.

The European a cappella tradition is especially strong in the countries around the Baltic and perhaps most so in Sweden as described by Richard Sparks in his doctoral thesis The Swedish Choral Miracle in 2000. Swedish a cappella choirs have over the last 25 years won around 25% of the annual prestigious European Grand Prix for Choral Singing (EGP) that despite its name is open to choirs from all over the world (see list of laureates in the Wikipedia article on the EGP competition). The reasons for the strong Swedish dominance are as explained by Richard Sparks manifold; suffice to say here that there is a long-standing tradition, an unsusually large proportion of the populations (5% is often cited) regularly sing in choirs, the Swedish choral director Eric Ericson had an enormous impact on a cappella choral development not only in Sweden but around the world, and finally there are a large number of very popular primary and secondary schools (music schools) with high admission standards based on auditions that combine a rigid academic regimen with high level choral singing on every school day, a system that started with Adolf Fredrik's Music School in Stockholm in 1939 but has spread over the country.