An extract on #sketching
Sketches can be made in any drawing medium. The term is most often applied to graphic work executed in a dry medium such as silverpoint, graphite, pencil, charcoal or pastel. But it may also apply to drawings executed in pen and ink, ballpoint pen, water colour and oil paint. The latter two are generally referred to as "water colour sketches" and "oil sketches". A sculptor might model three-dimensional sketches in clay, plasticine or wax.
Sketching is generally a prescribed part of the studies of art students. This generally includes making sketches (croquis) from a live model whose pose changes every few minutes. A "sketch" usually implies a quick and loosely drawn work, while related terms such as study, modello and "preparatory drawing" usually refer to more finished and careful works to be used as a basis for a final work, often in a different medium, but the distinction is imprecise. Underdrawing is drawing underneath the final work, which may sometimes still be visible, or can be viewed by modern scientific methods such as X-rays.
Most visual artists use, to a greater or lesser degree, the sketch as a method of recording or working out ideas. The sketchbooks of some individual artists have become very well known, including those of Leonardo da Vinci and Edgar Degas which have become art objects in their own right, with many pages showing finished studies as well as sketches. The term "sketchbook" refers to a book of blank paper on which an artist can draw (or has already drawn) sketches. The book might be purchased bound or might comprise loose leaves of sketches assembled or bound together.
The ability to quickly record impressions through sketching has found varied purposes in today's culture. Courtroom sketches record scenes and individuals in law courts. Sketches drawn to help authorities find or identify wanted people are called composite sketches. Street artists in popular tourist areas sketch portraits within minutes.
Such types of cartoons are created in a freestyle unscripted manner, which makes them original, since the whole cartoon does not need editing after it is completed. Originally invented by Renat Zarbailov when he combined two software applicationssketching software with screen capturing one. One of the pioneers of Multi-Sketch cartoon creation is Kenly Dillard, who, at the age of twenty four held the title of the world's third champion in speed sketching competition. The final multi-sketch can be sent to various formats, HDTV, DVD, streaming media, or WMV/FLV/QuickTime/MPEG4.
Multi-sketch has been used in television campaigns by companies such as Tower Insurance. Animations in this format take the form of an extended infographic.