An extract on #livefolktakeover
The red military uniform was adopted by the English Parliament's New Model Army in 1645, and was still worn as a dress uniform by the British Army until the outbreak of the First World War in August 1914. Ordinary soldiers wore red coats dyed with madder, while officers wore scarlet coats dyed with the more expensive cochineal. This led to British soldiers being known as red coats.
In the modern British army, scarlet is still worn by the Foot Guards, the Life Guards, and by some regimental bands or drummers for ceremonial purposes. Officers and NCOs of those regiments which previously wore red retain scarlet as the color of their "mess" or formal evening jackets. The Royal Gibraltar Regiment has a scarlet tunic in its winter dress.
Scarlet is worn for some full dress, military band or mess uniforms in the modern armies of a number of the countries that made up the former British Empire. These include the Australian, Jamaican, New Zealand, Fijian, Canadian, Kenyan, Ghanaian, Indian, Singaporean, Sri Lankan and Pakistani armies.
The musicians of the United States Marine Corps Band wear red, following an 18th-century military tradition that the uniforms of band members are the reverse of the uniforms of the other soldiers in their unit. Since the US Marine uniform is blue with red facings, the band wears the reverse.
Red Serge is the uniform of the Royal Canadian Mounted Police, created in 1873 as the North-West Mounted Police, and given its present name in 1920. The uniform was adapted from the tunic of the British Army. Cadets at the Royal Military College of Canada also wear red dress uniforms.
The Brazilian Marine Corps wears a red dress uniform.
It is a common belief in the United States that red cars are stopped for speeding more often than other color cars. However, there is no statistical evidence that this is true. Many police departments have denied it, saying their officers stop drivers for their behavior, not the color of their cars. The one survey that was made on this subject in 1990 by a St. Petersburg, Florida newspaper showed that the number of speeding tickets given to drivers of red cars was about the same as the proportion of red cars on the road in the community.
Stoppard emphasizes the randomness of the world. In the beginning of Act One, Rosencrantz and Guildenstern bet on coin flips and Rosencrantz wins with heads ninety-two times in a row. Guildenstern creates a series of syllogisms in order to interpret this phenomenon, but nothing truly coincides with the law of probability.
Art vs. Reality
The players help demonstrate the conflict between art and reality. The world in which Rosencrantz and Guildenstern live lacks order. However, art allows people that live in this world. As the Player says, "There's a design at work in all art." Art and the real world are in conflict. In order to reach out to the only reality he can be sure of, Guildenstern exclaims, "No one gets up after death-there is no applause-there is only silence and some second-hand clothes, and that's death." Stoppard also uses his characters to comment on the believability of theatre. While Guildenstern criticises the Player for his portrayal of death, he believes the Player's performance when Guildenstern thinks he has stabbed him with a knife. Rosencrantz and Guildenstern believe exactly what the actors want them to believe.