Posts filled under #igersmalaysia

FALL IN LOVE  Jatuh cinta

FALL IN LOVE Jatuh cinta dengan Dd glowing moist cake by nurraysa tau.. Sebab apa? Mestilah Sebab jimat dengan Dd glowing moist cake ni..Dahlah tu,tahan lama pulak tu..3,4 bulan boleh tahan..Atas penggunaan masing2.. Mana nak cari yang jimat macam nieProduk mesra wudhuk pulak tu.. Jom sesiapa yang nak cuba Dd glowing moist cake ni..Boleh whatsapp hakak sekarang tau.. RM39 SM/RM45 SS Sara 01118762770 #terbaik #jombeli #lepak #muamalaysia #jomkahwin #hadiah #tipscantik #berbaloi #alhamdulillahsyukur #vscocammalaysia #sematnatang #instashopmurah #kakishoppingonline #malaywedding #aurainsta #igersmalaysia #malaysia #sabah #sarawak #miri #pelamin #brunei

HAI ALL JOM GRAB HANNAH F

HAI ALL JOM GRAB HANNAH FOUNDATION ADE FREE GIFT LAGI . Hannah Foundation ByHs Formula dirumus khas drpd Ekstrak Tumbuhan . 1 CODE sahaja . SESUAI untuk semua warna kulit . For info :HANNAH kaya dengan ARGAN OIL . Ape kelebihan ARGAN OIL ? Tahu x di luar sana Argan Oil mendapat banyak permintaan & dijual secara berasingan. SO INI BENEFIT NYA . . Mengelakkan Foundation bercapuk . Kelembapan 2x ganda compare AloeV . Anti-penuaan yang amat berkesan . Menyelesaikan masalah kulit berjerawat . Menghilangkan masalah parut . Melindungi kulit drpd kedutan . Mengurangkan kedutan dibawah mata . Bertindak sebagai pelembap terbaik untuk kulit. Ia menyegar dan melembut kulit lebih mudah daripada penggunaan krim atau minyak yang lain . Kaya dengan protein yang sangat baik untuk keanjalan kulit yang berfungsi untuk menegangkan kulit dan menjadikan ia kelihatan lebih segar . Mampu mengurangkan kegatalan kulit dan cepat menyembuhkan tanda-tanda yang disebabkan oleh menggaru pada kulit . Sesuai untuk semua jenis kulit . Mampu mencegah cela2 pada kulit akibat proses kehamilan . ___________________________________ HOW TO ORDER :www.wasap.my/60137965355 . Harga : RM 59 EXCLUDE postage . Postage (Mon-Friday) Semenanjung RM 8 S/S RM 12 #HannahByHs#hannahfoundationthebest#hannahfoundationterbaik#syjual#foundationmalaysia#luluskkmdanhalal#neelofa#malaysia#johor#onlineshopping#onlinebisness#sypkaisyjual#igersmalaysia#malaysia#online#instafemes

Wahai sahabatku dan orang

Wahai sahabatku dan orang di sini luar sana sedang buat apa tu? . Buat korang yang pernah menyakiti li.. Terima kasih korang mengajar li erti kesabaran.. Semoga korang tidak merasakan kesakitan seperti apa yang li rasa.. Buat korang yang pernah li sakiti.. Maafkanlah kekhilafanku.. Li hanyalah manusia biasa dan jauh dari kesempurnaan sama seperti korang juga.. Jikalau korang merasakan diri hebat dan terbaik dari li, alhamdulillah li rasa bersyukur atas pemberianNya.. . Photo by me . . #23|8|17 #thesmart_igers #twt_insta #igersmy #igerskedah #igersmalaysia #igmalaysia #instagram #instadaily #instamood #instagood #sukasuki #ikutcarakita #my_genggua #portraiture #street #salutstory #deep #dark #lifequotes #explorelife #wma_favourite #xv_favourite #like4like #follow4follow #photooftheday #mobilephotography #vscocam #vscomalaysia #malaysia

MELACEP MASK
**brightenin

MELACEP MASK **brightening mask** . . APE GEN PENCERAHAN DALAM MELACEP ?? amino asic tumbuhan ekstrak cendawan shiitake ekstrak edelweiss . . semua agen pencerahan super power ini bertujuan menyasarkan melanin kulit bagi efek pencerahan.. . . xfaham?nk cuba sendiri?aajommm wasap farah k... . . FARAH 010-9130464 MARY KAY BC . . #marykaymalaysia #marykaybeautyconsultant #pobling #naturalproduk #skincarebebasmerkuri #skincareselamat #produkselamat #dsvparodi #iamme #viral #marykaytestimoni #skincare #kosmetik #lipstick #igersmalaysia #marykaybotanicaleffect #ubatjeragat #produkjeragat #ubatjerawat #produkjerawat #marykaykelantan #marykaykotabharu #mask #maskputih #masker #flawless

#WOWSKIN_SERUM
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SET SERU

#WOWSKIN_SERUM . SET SERUM VITAMIN LENGKAP . TREND BARU WAJAH GLOWING & MAKE UP 3X LEBIH CANTIK . Sapukan 3 Vitamin Siang & 2 Vitamin Malam untuk wajah lebih GLOWING, FLAWLESS & MAKE UP 3X LEBIH CANTIK . DAY SERUM Anti-Redness Anti-Dark Spots Skin Firming Antioxidant Immune Boosting Skin Hidrating Skin Glowing Collagen Boosting Improves Texture Treats Sunburn NIGHT SERUM Anti Wrinkles Anti Dryness Decrease Sebum Reduce Acne Skin Smoothing Cells Repairing Anti Inflammatory Sekarang ada DISKAUN 50%..harga PROMOSI SEKARANG RM59 + RM8 (postage)..Harga Asal RM120/sekotak.. . | SHARE | 011-23804604 . #malaysiangirls #natural #malaysianblogger #skincare #glowing #igersmalaysia #igmy #instakl #kulitjerawat #kulitcerah #online #safe #kulitjeragat #tudung #sosial #serum #klcc #kualalumpur #instashop #stokis #sunblock #foundation #cosmetic #jerawat #jeragat #flawless #neelofa #sitinurhaliza #beauty

Ni ada barang BAIK.. jang

Ni ada barang BAIK.. jangan tengok lama2.. takut nanti hanya MAMPU tengok.. Barang laku lajuuu... SEIKO 5 COUPLE EXCLUSIVE ======================= BRAND : SEIKO MATERIAL : STEEL Color : REFER PIC Gender : COUPLE Condition : NEW ======================== Spek Terbaik : 3 MONTH Warranty (ENGINE) Quality STEEL Material Analog Function WATER RESISTANT (Cover Warranty) Gred 3A Sesuai untuk Colletar Jam SEIKO DATE & DAY FUNCTION Jarum berfungsi dengan baik Pergerakkan Jam mengunakan bateri Condition NEW WITH WOOD BOX (Dalam Gambar) ======================== Harga : RM100 (PCS) | RM150 (Couple) FREE POSTAGE SABAH SARAWAK ADD RM5 Klik link Whatsapp dibawah ini untuk sebarang pertanyaan. http://kmcollectionstore.wasap.my/ http://kmcollectionstore.wasap.my/ http://kmcollectionstore.wasap.my/ #trustedseller #jangankecamsaya #trustedsellermalaysia #trustedselleronline #igersmalaysia #ikutcarakita #sekmung #sekkepok #sayajual #sayajualonline #instashopmalaysia #igshopmalaysia #lokalbrand #tempatanfest #wakdoyok #malaysia #ootdmalaysia #budakhipster #JDT #merahkuning #hijaukuning #viralmalaysia #DSV #fattahamin #neelofa #dubsmashmalaysia #parodymalaysia #bundlemalaysia #barangjadi #tbg

Kalau nak repost share ,

Kalau nak repost share , silakan , ilmu Allah , ilmu kita semua , Salam - Sampaikan walaupun satu ayat , sampaikanlah juga kepada orang lain maka ia dikira Sedekah - Jom selawat bersama . Semoga kita mendapat syafaat - - #bestofvsco #vsco #vscocam #vscocam #vscophile #vscomalaysia #igers #islam #islamic #iphonesia #ig_islamic #instaartist #igersmalaysia #afterlight #sunnah #deen #dakwahmudah #dakwahislamic #graphicdesign #muslim #malaysia #msumalaysia #kallafah #muhasabahbersama #creative #kualalumpur

MERDEKA RAYA SALE!!
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Adm

MERDEKA RAYA SALE!! . Admin potong harga habis habisan special untuk korg. Dah laa harga murah kaw2, siap dapat 8 FREE GIFT lagi. Tak cukup lagi? Admin kasi free postage satu Malaysia tau. . TEMPERED GLASS MONOPOD FISH EYE LENSE BEATS HEADPHONE POWERBANK RING PHONE SILICON CASE REMAX USB CABLE . Raya pon dah nak dekat, nanti bole laa selfie lawo2. Dah xpayah malu2 nak pinjam phone member sbb nak guna camera. ALL READY STOCK IPHONE. . SALE VALID SAMPAI 1 SEPT 2017 JER GUYS . Jangan buang masa cepat whatsapp admin untuk pricelist . 014-353 2124 Malas nak save no? Klik link kat bio tu je #iphonemurahmalaysia #fidgetspinnermurah #handphoneclonekorea #fidgetspinnermalaysia #sayajualfidgetspinner #iphoneclonemalaysia #sayajualbajumurah #iphonemurah #samsungmurah #sayajualhandphonemurah #sayajualiphonemurah #paidreview #sayajualmurah #rugitakbeli #bazaarpaknil #readystock #igersmalaya #igersmalaysia #popsocketsmurah #uitmjohor #uitmshahalam #fattahamin #popsocketsmalaysia #uitmkotasamarahan #igreviewmalaysia #sideincome #selfieringlightmurah #murahgiler #refurbishedset #droshipneeded

Haduii abam2,, adek2 n ha

Haduii abam2,, adek2 n hakak2.. . no worries.. . Supplement peninggi badan kan hado.. usah khuatir usah risau.. Adda boleh bantu chuolss tambah tinggi.. hihihi Yg benar, .Admin Adda yg chumell lotte kiki . Your TRUSTED MALAYSIAN TIENS. seller WC : palace_herbal_tiens WA : say no to penipu online . #ubattinggi #kamibencipenipuonline #terbesardimalaysia #tiensmalaysia #tiensserbuk #mhcamalaysia #penipuonline #kamibencipenipuonline #macammacamhelah #sellerluarmalaysia #terbesardimalaysia #tiensmalaysia #tiensserbuk#mhcamalaysia #peninggibadan#tiens #peninggibadan#peninggibadantiens #ayuhmalaysia #igersmalaysia #abangsado #ubattinggitiens #tiensbillionairemalaysia #olivesacademy #gym #lawakhambar #tiensmalaysia #pramugari #model #chiachiachia #heightupmalaysiaoriginal #tiensmalaysia

An extract on #igersmalaysia

The words of an opera are known as the libretto (literally "small book"). Some composers, notably Wagner, have written their own libretti; others have worked in close collaboration with their librettists, e.g. Mozart with Lorenzo Da Ponte. Traditional opera, often referred to as "number opera", consists of two modes of singing: recitative, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech, and aria (an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action. In some forms of opera, such as singspiel, opra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, recitative, are also referred to as arioso. The terminology of the various kinds of operatic voices is described in detail below. During both the Baroque and Classical periods, recitative could appear in two basic forms, each of which was accompanied by a different instrumental ensemble: secco (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by basso continuo, which was usually a harpsichord and a cello; or accompagnato (also known as strumentato) in which the orchestra provided accompaniment. Over the 18th century, arias were increasingly accompanied by the orchestra. By the 19th century, accompagnato had gained the upper hand, the orchestra played a much bigger role, and Wagner revolutionized opera by abolishing almost all distinction between aria and recitative in his quest for what Wagner termed "endless melody". Subsequent composers have tended to follow Wagner's example, though some, such as Stravinsky in his The Rake's Progress have bucked the trend. The changing role of the orchestra in opera is described in more detail below.

In England, opera's antecedent was the 17th-century jig. This was an afterpiece which came at the end of a play. It was frequently libellous and scandalous and consisted in the main of dialogue set to music arranged from popular tunes. In this respect, jigs anticipate the ballad operas of the 18th century. At the same time, the French masque was gaining a firm hold at the English Court, with even more lavish splendour and highly realistic scenery than had been seen before. Inigo Jones became the quintessential designer of these productions, and this style was to dominate the English stage for three centuries. These masques contained songs and dances. In Ben Jonson's Lovers Made Men (1617), "the whole masque was sung after the Italian manner, stilo recitativo". The approach of the English Commonwealth closed theatres and halted any developments that may have led to the establishment of English opera. However, in 1656, the dramatist Sir William Davenant produced The Siege of Rhodes. Since his theatre was not licensed to produce drama, he asked several of the leading composers (Lawes, Cooke, Locke, Coleman and Hudson) to set sections of it to music. This success was followed by The Cruelty of the Spaniards in Peru (1658) and The History of Sir Francis Drake (1659). These pieces were encouraged by Oliver Cromwell because they were critical of Spain. With the English Restoration, foreign (especially French) musicians were welcomed back. In 1673, Thomas Shadwell's Psyche, patterned on the 1671 'comdie-ballet' of the same name produced by Molire and Jean-Baptiste Lully. William Davenant produced The Tempest in the same year, which was the first musical adaption of a Shakespeare play (composed by Locke and Johnson). About 1683, John Blow composed Venus and Adonis, often thought of as the first true English-language opera. Blow's immediate successor was the better known Henry Purcell. Despite the success of his masterwork Dido and Aeneas (1689), in which the action is furthered by the use of Italian-style recitative, much of Purcell's best work was not involved in the composing of typical opera, but instead he usually worked within the constraints of the semi-opera format, where isolated scenes and masques are contained within the structure of a spoken play, such as Shakespeare in Purcell's The Fairy-Queen (1692) and Beaumont and Fletcher in The Prophetess (1690) and Bonduca (1696). The main characters of the play tend not to be involved in the musical scenes, which means that Purcell was rarely able to develop his characters through song. Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera in England, but these hopes ended with Purcell's early death at the age of 36. Following Purcell, the popularity of opera in England dwindled for several decades. A revived interest in opera occurred in the 1730s which is largely attributed to Thomas Arne, both for his own compositions and for alerting Handel to the commercial possibilities of large-scale works in English. Arne was the first English composer to experiment with Italian-style all-sung comic opera, with his greatest success being Thomas and Sally in 1760. His opera Artaxerxes (1762) was the first attempt to set a full-blown opera seria in English and was a huge success, holding the stage until the 1830s. Although Arne imitated many elements of Italian opera, he was perhaps the only English composer at that time who was able to move beyond the Italian influences and create his own unique and distinctly English voice. His modernized ballad opera, Love in a Village (1762), began a vogue for pastiche opera that lasted well into the 19th century. Charles Burney wrote that Arne introduced "a light, airy, original, and pleasing melody, wholly different from that of Purcell or Handel, whom all English composers had either pillaged or imitated". Besides Arne, the other dominating force in English opera at this time was George Frideric Handel, whose opera serias filled the London operatic stages for decades, and influenced most home-grown composers, like John Frederick Lampe, who wrote using Italian models. This situation continued throughout the 18th and 19th centuries, including in the work of Michael William Balfe, and the operas of the great Italian composers, as well as those of Mozart, Beethoven and Meyerbeer, continued to dominate the musical stage in England. The only exceptions were ballad operas, such as John Gay's The Beggar's Opera (1728), musical burlesques, European operettas, and late Victorian era light operas, notably the Savoy Operas of W. S. Gilbert and Arthur Sullivan, all of which types of musical entertainments frequently spoofed operatic conventions. Sullivan wrote only one grand opera, Ivanhoe (following the efforts of a number of young English composers beginning about 1876), but he claimed that even his light operas constituted part of a school of "English" opera, intended to supplant the French operettas (usually performed in bad translations) that had dominated the London stage from the mid-19th century into the 1870s. London's Daily Telegraph agreed, describing The Yeomen of the Guard as "a genuine English opera, forerunner of many others, let us hope, and possibly significant of an advance towards a national lyric stage." In the 20th century, English opera began to assert more independence, with works of Ralph Vaughan Williams and in particular Benjamin Britten, who in a series of works that remain in standard repertory today, revealed an excellent flair for the dramatic and superb musicality. More recently Sir Harrison Birtwistle has emerged as one of Britain's most significant contemporary composers from his first opera Punch and Judy to his most recent critical success in The Minotaur. In the first decade of the 21st century, the librettist of an early Birtwistle opera, Michael Nyman, has been focusing on composing operas, including Facing Goya, Man and Boy: Dada, and Love Counts. Today composers such as Thomas Ads continue to export English opera abroad. Also in the 20th century, American composers like Leonard Bernstein, George Gershwin, Gian Carlo Menotti, Douglas Moore, and Carlisle Floyd began to contribute English-language operas infused with touches of popular musical styles. They were followed by composers such as Philip Glass, Mark Adamo, John Corigliano, Robert Moran, John Coolidge Adams, Andr Previn and Jake Heggie.

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