Posts filled under #gelinlik

Bayram oncesi koltuklarin

Bayram oncesi koltuklarinizi yenileyelim. Kardesimin @ozfidan_mobilya ellerine salk .. @ozfidan_mobilya ile evlerinizi guzellestiriyoruz. WhatsApp : 05378986989 numaramizdan yenilenecek koltuk takimlarini cekyatlari kanepelerin fotorafini gonderebilirsiniz fiyat bilgisi icin kardeim @ozfidan_mobilya donus saglayacak Sizlerin de eski koltuklarinizi kose takimlarinizi ve oturma gruplarinizi istediginiz kumaslar ile yenileyelim zfidan mobilya ile eski koltuk takimlarinizi yeniliyoruz zel sipari ile yeni oturma gruplar, yer minderleri, koltuk cekyat kanepe,puf, berjerler yapyoruz. Sizlerin secip kombine edebilecegi, silinebilir leke ve su tutmayan kumalar, sekli yillarca degismeyen gri sungerler kullaniyoruz. WhatsApp : 05378986989 rtibat: 02126111455 #ozfidanmobilya#esenler#koltuk#eskihaliyenihali#koltukdoseme#kumas##kartela#ev#oturmaodasi#oturmagrubu#kosekoltuk#yastik#renkler#sututmayankumaslar#leketutmayankumaslar#minder#cekyat#puf#sandalye#berjer #mutfak #mobilya #ozfidanmobilya #fotografciderya @fotografciderya #sedir #ev #gelinlik #gelinbuketi #gelincicegi #gelindamat #fotografciderya #home #oncesisonrasi

D mekan fotograf cekimler

D mekan fotograf cekimleri ve Rezervasyon iin whatsapp numaramizdan 05314978255 ulasabilirsiniz. Kina gecesi elbisesi @berfingelinlik Kuafor @tuanammturban Tesekkurler https://instagram.com/fotografciderya/ https://www.facebook.com/DogumVeDugunFotografcisiDeryaOzfidan #gelintaci #gelinlikmodeli #gelinlik #gelinbuketi #gelincicegi #gelindamat #gelinlikmodelleri #gelinlikaksesuari #kuafor #fotografciderya #fotoraf #discekim #dismekanfotograf #dismekanfotografcisi #kampanya #kampanyalar #album #bayanfotografci #kina #kinagecesi #fotografciderya

An extract on #gelinlik

She was born as Aysel Ksa on December 31, 1932 in Manastr, then Yugoslavia, today Republic of Macedonia. She lost her 16-year-old mother at her birth and never knew her father. She was raised by her maternal aunt, whom she called "mother". She was renamed "Olga" as a result of Yugoslavian regime's assimilation campaign. All ethnic Turks and other Muslims in Yugoslavia were forced to adopt Christian names and renounce all Muslim customs. In her infancy, she immigrated with her family members to Turkey and settled in Tekirda, northwestern Turkey. Later, due to financial problems, the family moved in 1942 to Istanbul to live in a small house at Eyp district. On the new identity card issued by the Turkish Government, she was named Aysel Muhterem Ksa. She spent her childhood in Eyp, where she attended the primary school. After finishing the school, she began to work in a factory. Then, by chance, she got to know Suzan Yakar Rutkay, a notable female singer and partner of that time's biggest film production company, Halk Film. She helped Muhterem Nur step into cinema. In 1961, Muhterem Nur married In Kaan (1937-1992), a journalist and actor. The couple divorced in 1963. She dated celebrities, such as movie directors Memduh n and mit Utku, violinist Cihat Akn, and actors Ylmaz Duru and Efkan Efekan. In 1982, she met Mslm Grses (1953-2013), a talented folk singer at that time, during a concert tour in Malatya, where she shared the stage with him. They started a quarrel the first evening. This also became the beginning of an ever-lasting deep love between the two. The couple got married in private, following four-years together, on May 5, 1986. Her husband died on March 3, 2013 following a heart bypass surgery he underwent in November 2012.

Muhterem Nur debuted in cinema as a background actress in the 1951 movie, Yldzlar Revs ("Revue of Stars"). She continued to play in movies as an extra, earning five times more than she received in the factory. She played as supporting actress in more than twenty movies before she got a lead role in the 1958 movie, Arkada, in which she portrayed a blind girl. In the film directed by Memduh n, which became very successful, she shared the lead role with Fikret Hakan (born 1934). Thanks to her baby like face and naive acting artistry, she was rooted suddenly in the hearts of cinema fans, and climbed up the ladders very quickly. Despite rising up to main actress roles in a very short time and playing in many movies, Muhterem Nur had difficulties continuing in cinema due to change of the era in movie themes during the period between 1965 and 1967. From 1965 on, she vocationally performed dancing and, from 1967, took the stage as a singer in low-priced music halls. In 1967, she was jailed for ten days because of unpaid bills. She confessed that once, in 1972, she was so destitute, she was unable to even buy a simit, Turkish bagel. Muhterem Nur returned to cinema and starred sparsely in movies until 2002. Muhterem Nur is considered the first real star of Turkish cinema. She portrayed the ignored and discriminated-against woman, digressing from role of the bourgeoisie woman. She was known as the Yeilam's most weepy actress, who at the same time drew tears and made spectators tear handkerchiefs. Even though it is not documented, she is one of the most important female figures of Turkish cinema due to the box office record of her films shot in the 1950s and 1960s.

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