#emosad #emo #sad #cute #emocute #awe #hugs #emolife #emoteen #emokid #kid #teen #love #emolove #emolifestyle #emorealness #emokawaii #emoaf #emoworld #emowithin #cuteaf #haf #loveyourself #me #imadog #picture #psyco
Every now and again we get the feeling,and the great big void inside us opens up And I really wish that you could help,but my head is like a carousel and I'm going round in circles #emosad #emolove #emogirl #aliengirl #alien #sadmoment #sadstory #sadness #darkparadise #darkparadise #thedarksideofthemoon #th #bmth #askingalexandria #bands # # #die #suck
Cause this is not enough,and I won't wait for them to cut me up So give me all you've got,they'll never stop until they see us fall So let's run #emosad #emolove #emogirl #sadstory #cutting #lifeshit #paramore #th #bmth #askingalexandria #bands #alien #aliengirl #monster #run #depression #crybaby # #kawaii
sali re random but me gust KAJXKSJD //Tags//: #blood #screamo #emoaf #blacknails #emogirl #emoscene #emochile #scenegirl #emosad #emoflaite #black #bands #sadaf #bringmethehorizon #nirvana #sucidesilence #motionlessinwhite #sleepingwithsirens #alesana #blackveilbrides #kissmekillme #hardore #alternativegirl #granitos #pelirroja #white #lawe #instachile #instacoquimbo #xd
After the Eagles broke up, the former members pursued solo careers. Elektra, the band's long-time record label, owned the rights to solo albums created by members of the Eagles (though several of them moved to different labels in ensuing years). Walsh had established himself as a solo artist in the 1970s, before and during his time with the Eagles, but it was uncharted waters for the others. Walsh released a successful album in 1981, There Goes the Neighborhood, but subsequent albums throughout the 1980s, such as Got Any Gum? were less well received. During this period Walsh performed as a session musician for Dan Fogelberg, Steve Winwood, John Entwistle, Richard Marx and Emerson, Lake & Palmer, among others, and produced and co-wrote Ringo Starr's Old Wave album. Henley achieved arguably the greatest commercial solo success of any former Eagle. In 1981, he sang a duet with Stevie Nicks of Fleetwood Mac fame, "Leather and Lace." In 1982, he released I Can't Stand Still, featuring the hit "Dirty Laundry." This album would pale in comparison to his next release, Building the Perfect Beast (1984), which features the classic rock radio staples "The Boys of Summer" (a Billboard number 5 hit), "All She Wants to Do Is Dance" (number 9), "Not Enough Love in the World" (number 34) and "Sunset Grill" (number 22). Henley's next album, The End of the Innocence (1989), was also a major success. It includes "The End of the Innocence," "The Last Worthless Evening" and "The Heart of the Matter." His solo career was cut short due to a contract dispute with his record company, which was finally resolved when the Eagles reunited in 1994. Frey also achieved solo success in the 1980s. In 1982, he released his first album, No Fun Aloud, which spawned the number 15 hit, "The One You Love." The Allnighter (1984) featured the number 20 hit "Sexy Girl." He reached number 2 on the charts with "The Heat Is On" from the Beverly Hills Cop soundtrack. He had another number 2 single in 1985 with "You Belong to the City" from the Miami Vice soundtrack, which featured another Frey song, "Smuggler's Blues." He appeared as "Jimmy" in the episode titled after the song and contributed riffs to the episode's soundtrack. He also contributed the songs "Flip City" to the Ghostbusters II soundtrack and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. Music writer turned filmmaker Cameron Crowe, an Eagles fan, had written articles about Poco and the Eagles during his journalism career. In 1982 his first screenplay was produced as the feature-length movie Fast Times at Ridgemont High. The film was co-produced by Eagles manager Azoff, who also co-produced the soundtrack album, released by Elektra. Henley, Walsh, Schmit and Felder all contributed solo songs to the film's soundtrack. The band playing at the dance toward the end of the movie covers the Eagles song "Life in the Fast Lane." Felder also released a solo album and contributed two songs to the soundtrack of the movie Heavy Metal: "Heavy Metal (Takin' a Ride)" (with Henley and Schmit providing backing vocals) and "All of You." He also had a minor hit called "Bad Girls" off his solo album Airborne. Schmit had a prolific solo career after the band's initial breakup. He had a hit song on the Fast Times at Ridgemont High soundtrack with "So Much in Love." He contributed vocals to the Crosby, Stills & Nash album Daylight Again on the songs "Southern Cross" and "Wasted on the Way" when that band needed an extra vocalist due to David Crosby's drug overindulgence. Schmit sang backup vocals on Toto's Toto IV album, including the song "I Won't Hold You Back" and appeared with the group on their 1982 European tour. He spent three years (19831985) as a member of Jimmy Buffett's Coral Reefer band and coined the term "Parrotheads" for Buffett's die-hard fans. He had a Top 40 solo hit in 1987 with "Boys' Night Out" and a top-30 Adult Contemporary hit with "Don't Give Up," both from his album Timothy B. Schmit appeared with Meisner and Walsh on Richard Marx's debut single "Don't Mean Nothing." In 1992, Schmit and Walsh toured as members of Ringo Starr's All-Starr Band and appeared on the live video from the Montreux Jazz Festival. Schmit released two solo albums, Playin' It Cool in 1984 and Tell Me the Truth in 1990. He was the only Eagle to appear on the 1993 Eagles tribute album Common Thread: The Songs of the Eagles, singing backing vocals on Vince Gill's cover of "I Can't Tell You Why." Meisner hit the top 40 three times, including the number 19 "Hearts on Fire" in 1981.